Wednesday, November 20, 2013

Tepoztlán II: What We Found On the 'Other Side of the Mountain'

What started out as a simple weekend getaway in Tepoztlán, Morelos, turned out to be far more. Tepoztlán is just the other side of the mountain range that runs Southeast-South of the volcano Popoctéptel and separates the Valley of Mexico from the Valley of Tepoztlán. It's the mountain range visible by looking south on clear days from our apartment's balcony in Coyoacán.

The Valley  of Tepoztlán is on the other side of Ajusco Volcano, South of Mexico City
(Photo: Reed, by leaning out our West-facing Bedroom Window!)
We've lived in Mexico for five years, but we can still be surprised and delighted not only by the drama and sheer majesty of the Mexican countryside but by the multiple levels of Mexican culture—the clearly discernible, if subtle, threads in the complex cultural weave that is Mexico today. Never has all this complexity come together with quite the power as during our recent visit to the Sacred Valley of Tepoztlán.

The Valley of Tepoztlán is formed by three mountain ranges. The original peoples identified each cerro, hill, as the domain of a specific named god. Regarding the use of the word 'hill'. Tepoztlán is at 1,700 meters (5,577 feet) above sea level, so the 'hills' are really mountain peaks. Be that as it may, in Mexico they are cerros, hills.

On our way to visit the ex-Convento, we came upon the street where the Saturday Open-Air Market was being held.
Market-Day in Tepoztlán Framed by the Pueblo's Ever-Present 'Hills'
Continuing on, we arrived at the door to the spacious Atrio, or forecourt, of the former Dominican Convent. To our right rises the 16th c. Church of the Natividad, Nativity.

Church of the Natividad (Photo: México Desconocido)
Exceptionally large, the Atrio space is nonetheless dominated by El Tepozteco mountain, which rises 600 meters (almost 2,000 feet) behind it.

Outdoor Shrine Guarded by El Tepozteco




















Newlyweds Leaving the Church ... Looking Pretty Scared
Women of Tepoztlán Taking a Break

Little Girl Engrossed in Play 
Next we head for the ex-Convento located on the far side of the church.

Walkway Along One Side of Atrio Between Shrine and Entrance to ex-Convento.
In front of us a door opens into the inner courtyard typical of Spanish Colonial architecture.



Moorish Arches ...
Interior hall runs around the courtyard, providing shelter from the rains.
Notice the mural paintings on every inch of the walls and ceiling.


























Detail: Mural Paintings
We are embraced by the simple sense of calm created by this architecture. Reed: "The Spaniards knew how to do tranquillity."
Symmetry and Proportion Create Sense of Tranquillity

Kitchen Garden
As Glimpsed From the Inside 

The Outside World  ... Viewed From Within
























Climbing the stairs to the second floor, we are initially attracted to the sunlight coming in from the inner courtyard.

The design of the fountain derives from the Moors, who occupied Spain for 800 years.
Catching our eye is a small, covered porch whose arches frame unforgettable views of El Tepozteco mountain range.

El Tepozteco Mountain Range





More mountains ....
Unusual rock formation ....





Thoughtful Spanish friars constructed cement benches along the wall. As we sat, taking in the power of place created by the majesty of the mountains, questions inevitably arose: How were these mountain ranges formed? What is the geography of this area? Who were the original people, and how did they live before the Spanish arrived?

How the Mountains Were Formed

Reed reminded me that the area is right smack in the middle of the Volcanic Axis that belts Mexico's mid-section.

Mexico City and Environs: Volcanic Axis indicated by Red Lines.
Note: State of Morelos (Lower Left) and Popocatéptl Volcano (Lower Right).
Tepoztlán is in State of Morelos, between bottom two red lines.
Later I learned that the mountains are the result of two sets of tectonic forces:
  • Compressive forces that acted horizontally, side-to-side (East-West); and
  • Other pressures originating deep inside the earth that resulted in vertical, up-down movements.
What a wild ride those contrary forces would have created as they folded and buckled the earth's crust!

From pyramid looking across Valley of Tepoztlán to range on other side. (CLICK to enlarge)
Notice the lines of mountain ranges ... the 'folds' created by tectonic forces. (Photo: Yuri)
The region's elongated and generally asymmetric mountains were created by the high spots on the folds that run East to West. Low spots on the folds created valleys like the Valley of Tepoztlán. These same contrary forces created the 'breaks' in sections of the mountain.

Young friend climbing El Tepozteco stands where path follows gigantic "crack" in the rocks.
(Photo: Yuri)
The mountainous terrain that came about as a result of these contrary tectonic actions also significantly affects weather patterns. The physical geography of the State of Morelos puts it in the biological transition zone between North and South America, between the Nearctic (Arctic and Temperate) zone (North America and Greenland), and the Neotropical (south of Tropic of Cancer) zone (Mexico, Central and South America). It's no wonder that UNESCO has recognized Mexico as one of the world's most biologically diverse regions.

On top of that, the entire State of Morelos is drained by the Balsas River, which at 771 kilometers (479 miles) is one of Mexico's longer rivers. Maize (corn) developed along the Balsas River some 9,000 years ago, which is also about when farming began in other key global regions: the Fertile Crescent, northern and southern China, Africa's SahelNew Guinea and parts of India.

The region's biodiversity gave rise to an abundance of plants with medicinal properties, so it's not surprising that the Tepozteco territory was known as the land of witches and healers. Certainly, the ancients were recognized for having accumulated great experience and knowledge in the treatment of illnesses.

It's at moments like this that we take deep breaths and pause to reflect on the depth and complexity of Mexico's history. 

Tepoztlán: Small Town With a Big Past

If Mexico's complex geography provided conditions that permitted cultivation of maize and many other plant foods, then a better supply of foodincluding surplusesled to development of what's commonly called Mesoamerican civilization. When the Spanish arrived, they encountered a true civilizationcomplex, hierarchically organized in both cities and agricultural communities, whose rulers were capable of exerting their power and influence over long distances.

It was somewhat mind-boggling to discover that the history of the little pueblo of Tepoztlán encapsulates the primary elements of Mexico's larger history.
Note: Both this section and the subsequent one (Colonial Period) have been excerpted and translated from several Mexican sources. Care was taken to preserve the vocabulary and tone of the original Spanish texts.
Before the Spanish Arrived

In Náhuatl, Tepoztlán means "Place of the Copper Hatchet." It isn't known who first inhabited the lands of what today is the town of Tepoztlán. Pottery found in the municipality suggest the Middle Archaic culture, which thrived around 1,500 BCE.

Different gods were venerated in Tepoztlán, among them Tlaloc, god of rain, and Ehécatl, god of wind. But the principal god was Ome Tochtli (Two Rabbit), god of pulque (nectar of the maguey cactus) associated with vegetative fertility and bountiful harvests. On the summit of the Tlahuiltepetl hill are ancient ruins that the people refer to as the "Casa del Tepozteco," or the place consecrated to the god Ome Tochtli, "Two Rabbit" in Náhuatl.

Detail: Mural at Tepoztlán Depicting Two-Rabbit, Ome Tochtli.
Each hill had a different name according to the god who inhabited it. Thus the hill of Tepoztlán was also called Tepoztécatl. According to tradition, pilgrims from as far away as Guatemala came to worship Ome Tochtli (sometimes spelled Ometochtli).

Archaeological findings from a later period indicate that as the Xochicalco, Toltec and Chichimeca cultures developed, one of the most important personages to emerge was Ce Acatl ("A Reed"). Born in Tepoztlán (actually, in nearby Amatlán), Ce Acatl lived there until he was a teenager. Local tradition credits his extraordinary nature to his origins in Tepoztlán. Ce Acatl spent his youth in Xochicalco where he joined the cult of the feathered serpent.

The Toltecs made Ce Acatl their supreme chief in Tula, their capital, and he lived there for many years. Given the title of Topiltzin, our prince, his 'magnificent genius' found expression in the arts and sciences. Finally falling victim to temptation and envy, Ce Acatl took refuge with some followers in Cholula, Puebla. From there he left for the Gulf Coast and died in Coatzacoalcos (in the place where the serpent died).

After his death, Ce Acatl came to be regarded as a god. His influence on later cultures was enormous, then he was called Quetzalcóatl, the unmatched culture hero: "Ce Acatl Tolpiltzin Quetzalcóatl."

In 1438 Tepoztlán was conquered by the Mexicas (Meh-SHE-cahs), who sought to strengthen their authority over the Tepozteco people by ordering that a stone plaque in honor of their eighth ruler, Ahuizotl, be embedded in the wall of the temple.

In the Tepozteco some remaining buildings support this historic relationship. On a relief of the pyramid is a plaque embedded in a wall with the representation of Ahuitzotl and the date 1502, which marks the end of Ahuizotl's reign. It is likely that this date also marks the pyramid's construction.

Between 1438 and the arrival of the Spanish, Tepoztlán was a tributary pueblo of the Mexicas. As did other centers in the region, Tepoztlán paid tribute in the form of products of paper de amate (fig), grand blankets, fine cotton clothing for men and women, loincloths, war regalia (arms and insignia decorated with rich feathers), decorated small bowls, corn and beans.

Colonial Period

As persons of European descent, it is difficult for us to fathom Mexico's historical and cultural depth, but the history of Tepoztlán, rich in its detailed commemoration of the past, somehow makes the connection easier.

Carlos Pellicer (1897-1977), writer, poet, musician, sets the emotional context:
"We will never be completely Mexicans until we become familiar with the marvelous art of our indigenous ancestors, in order to love and admire it."
Mural of Seeds Created for Tepoztlán Fall Fiesta: Battle Against the Spanish
In 1519 the Spanish arrived in the territory of what is today Mexico. In 1521, in just a few hours, the barbarian (sic) troops commanded by Hernán Cortés, burned Tepoztlán. Of that day Bernal Díaz del Castillo, the conquistador who accompanied Cortés and chronicled the conquest, wrote:
"One day early in the morning, we left for Cuernavaca and found bands of Mexica warriors that had left that pueblo. The [Spanish] horsemen followed them for more than a league and a half [27 kilometers; 16 miles] in order to surround them in another large town called Tepoztlán. 
"Here they had very good Indians and plunder. Three or four times Cortés summoned the chiefs to come in peace, but he warned that if they didn't come he would burn the pueblo. The answer was that they did not want to come. So to put fear in the other pueblos, Cortés set fire to half the houses."
In the first years after the military conquest, the people were served by Brothers of Oaxtepec and Yautepec. In 1559 the Spanish Viceroy Luis de Velasco authorized establishment of the Dominican Order to convert the inhabitants. The mission was entrusted to Brother Domingo de la Función, who knocked down the stone representation of the god Ome Tochtli.

Brother Domingo was also given the task of building the convent complex. Begun in 1570, construction of the Convent of Tepoztlán was completed in 1580. Construction of the church was begun in 1580 and completed in 1588.

Taking Stock

So here we sit ... quietly resting in a former Dominican Convent, its architecture the very essence of tranquillity. But we're aware that this tranquillity was built four hundred years ago on top of the violent destruction of the pueblo of Tepoztlán.

From where we sit, El Tepozteco hill is clearly visible. Just outside our line of sight are the ruins of the ancient pyramid, abode of the god Ome Tochtli, Two-Rabbit, but we know the pyramid is visible from the adjoining room—should we choose, there's even a telescope for getting a closer view of the pyramid.

So here we are ... Original Peoples, Colonial Mexico, Today's Mexico and a couple of foreigners ... resting together in one place.

El Tepozteco Pyramid, Tepoztlán (Photo: Guía Morelos)
Afterword

I find myself reflecting on the pueblo's fiestas ... and somehow I end up back where I concluded the first post on Tepoztlán. The passage seems equally applicable here:
Lest there be any doubt about the ambivalence of Tepoztlán's current inhabitants toward the Spanish invasion ... during the pueblo's traditional fall festival, the people of Tepoztlán commemorate the ceremony of the baptism and marriage of the Tepozteco in order to remember the reason for converting from the polytheistic religion to the Catholic rite
The re-enactment is performed in Náhuatl, the language of the Aztecs, which is also translated into Spanish, the language of the invasores (invaders), whose soldiers brandished the Sword and whose priests carried the Cross. In this way, the moment in Tepoztlán when allies of Lord Cuauhnáhuac of nearby Cuernavaca challenged the Tepozteco is kept alive. 
Dating to about 1850 CE, the tradition is maintained with dances representing the lords of Yautepec, Oaxtepec, Tlayacapan and Tepoztlán. After the dances, the people then set off for the central plaza ... back to today's world.
Still Curious?

Videos available via UTube:
  • UTube (27 sec): Good view across Valley of Tepoztlán showing the massifs, independent mountains, that were thrust upward by vertical tectonic forces;
  • UTube (16:00 min) Chinelos Part I: Excellent 3-4 min opening segment with views of the mountain ranges accompanied by traditional Mexican music; views through car's front windshield of ride into to town. I don't know what comes next; I've never watched it to the end because an inappropriate mix of triumphal (Wagner, Beethoven) European music puts me off.
Related Jenny's Posts:
Source Texts (Spanish unless otherwise noted):

Tuesday, November 5, 2013

The Sacred Valley of Tepoztlán, Morelos

This year the rains were about a month late in arriving, and they are proving to be equally slow in departing. Last weekend we decided to get-away from perennially overcast skies. We headed for Tepoztlán, a pueblo (village) in the mountains between Mexico City and Cuernavaca. The good news is that it's only about 45 minutes by bus, and the bus station is ten minutes from our house.

Traveling through the Mexican countryside is always special. Maybe it's the altitude: Mexico City is 2,240 meters (7,350 ft) above sea level, and Tepoztlán is 1,710 meters (5,610 ft). The high point of the pass through the mountains is 3,100 meters (10,000 ft). At this altitude, one doesn't expect to see extensive agricultural fields and grazing lands extending for miles on both sides of the highway. The countryside reminds me of the long-running (1959-1973) TV series Bonanza—pine forests, open grasslands and big mountains.

Leaving the highway, the bus began its descent to the valley below. In the distance one glimpses a long, island of mountain pushed up from the valley floor, which according to GoogleEarth is 2.5 miles long. This is the massif—"a mountain forming an independent portion of a mountain range"—on which the ancient site of Tepozteco was built.

The El Tepozteco massif dominates the town of Tepotzlán
(Photos: Reed, unless otherwise noted)

But I'm getting ahead of myself. From the Tepoztlán bus stop, the town plaza is about five minutes away by taxi. Our hotel was a short distance outside the town center, or so the owner told Reed on the phone. In truth, it was another ten minutes outside town. As the road continued to narrow, we passed a river where a family was washing their clothes and, yes, we also passed a couple of burros wandering nonchalently along the stone-paved road.

Just about when we were beginning to wonder what we'd gotten ourselves into, we arrived at the hotel, which opened following construction just two years ago. Our room was quite comfortable and faced onto the courtyard, which boasted a small swimming pool. We would enjoy our typical breakfast of scrambled eggs with onion and ham and a side of frijoles, beans, with coffee and orange juice sitting in the sun soaking up Vitamin D.

The Task At Hand

Preparing for the visit, I came upon this description of El Tepozteco in Mexico Desconocido:
The climb isn't easy, especially for people who aren't used to exercising; however, there are many places along the way where one can sit and relax. Once atop Tepozteco, the view is spectacular. At the visitors' feet stretch out the majestic broad valleys of the lowlands of the state of Morelos. After the strenuous climb, this magnificent view invites us to soak up to the physical and emotional tranquility, take our best pictures of the view and of the pre-Hispanic ruins found there.
Pyramid at Tepozteco (Photo: Wikipedia)
According to archaeologists, these ruins formed part of a small architectural complex built during the government of the tlatoani Ahuízotl of Tenochtitlán [Aztec center, Mexico City], where the ancient Mexica warrior gods were worshiped. Evidence of this is found in the remains of walkways decorated with processions of richly dressed warriors with shields and arrows. Clay or stone representations of the fearsome Aztecs gods were also placed above those walkways, as part of the temple's interior decoration.
Pyramid at Tepozteco (Photo: Wikipedia)
Before the Spanish, only the high priests and supreme indigenous leaders had access to this sanctuary. Now, many years after its great splendor, Tepozteco's visitors can feel in this place the energy that brought glory and fame to the Mexican people.
Let's put it this way: in our eighth decade, a strenuous climb is no longer an option, but we were not to be deterred from enjoying the drama of this truly spectacular geological formation. So early the next morning, we called a taxi and were fortunate in having a pleasant, knowledgeable driver who was perfectly agreeable to take us along the base of the cliffs.

The Exploration

We drove back along the way we'd come the night before. In the clear, early-morning sun, the geology was stunning.

Peña, or free-standing stone, on the other (north) side of the river

What is known as "The Sacred Valley of Tepoztlán" is formed by three massifs (GoogleEarth)—that are said to form a triangle. The road to our hotel runs between the the massif to the South (top) and the two in the North, which from the aerial view seem to form a point. The display of raw geologic power was jaw-dropping.

Tepoztlán is almost in the middle of the picture, which looks SouthNorth being aligned with the lower left corner. The stick pin locates the Pyramid atop El Tepozteco. 

Turning off the main road, we headed up toward the base of the massif. It didn't take all that long before we arrived at a stone-paved lane. 

Stone-paved lane that runs along the base of El Tepozteco.
In almost an hour, I believe we passed one other vehicle. 

At first what can be seen from the lane appeared to be so limited that we wondered what the driver had in mind, but suddenly, he stopped. Rising to one side was the impressive massif of Tepozteco rising 600 meters (1,968 ft.) above the valley floor. From our vantage point, it was visible above the red-tile roof of a modest adobe structure.

The massif rises abruptly behind the properties at its base.

The driver told us that many foreigners own large properties and houses along this road. In fact, we passed a family with three generations out for a morning paseo, a stroll, along the lane-way. The entry to one hacienda, as the driver referred to it, is below. Note the huge drain, which suggests serious runoff during the rainy season.

I'm gazing at El Tepozteco massif, which rises behind this hacienda.

Curious, I asked the driver what the other side is like—cliffs like this side?—he replied, no, the land slopes off gently. The effect is most apparent on the mountain range to the south in the earlier photo, which shows fields running almost to the edge of the cliffs. 

The geologic action must have been an upward thrust from tectonic plates at some distance away from the cliffs—the land thrust skyward as if on a giant hinge. In effect, these massive cliffs were torn from the flat plain. We continued our meander along the lane stopping periodically to just soak up the power of these cliffs. Here's what we saw ...

































But the tour wasn't quite over. The driver had another destination in mind. Leaving the rural lane-way, we slowly made our way to a quiet Tepoztlán neighborhood.

Houses on stone-paved neighborhood lane tucked up against the massif.

Delightful as our tour had been, it raised more questions than it answered. What about the Tepozteco? We still hadn't seen the pyramid. And what did it all mean anyway?

The Legend of Tepoztlán

Returning to the plaza, we were slowly making our way toward the former Dominican Convent when Reed suddenly darted away only to call over his shoulder:
"You've got to see this! A mural of Tepoztlán's Founding Legend!"
Painted in 1995, the mural depicts the legend, but it also has features that suggest a more subtle level of meaning. For example, the mural's first figure is a warrior-king. In reference to the Aztec's own founding legend, the mural's background depicts Lake Texcoco with the cactus on an island, while the eagle holding a serpent in his claws, the national symbol of modern Mexico, flies over the kingly figure.

Aztec warrior stands at the edge of Lake Texcoco.
The poem on the scroll reads:
They destroyed my leaves, they cut my branches, they cut down my trunk ... but they will never be able to pull out my roots.  Anonymous.
So the modern muralist begins his depiction of the Legend of The Tepozteco:
According to the oral tradition, a maiden used to bathe in the Atongo Ravine. Although it was said that the ravines "give airs," the maid didn't believe it. But after a month, she knew she was in trouble. Ashamed, she went to her parents and confessed her pregnancy. 
Maiden bathing in the Ravine
When the baby boy was born, his grandfather made ​​several attempts to get rid of him. On one occasion, he threw the infant from a great height into the rocks below, but the wind deposited him on a plain. On another occasion, the baby was left near a Maguey cactus, but before long the leaves folded themselves up to his mouth to allow him to drink its sweet nectar. In another attempt to get rid of the child, it was thrown to giant ants but these, far from attacking the infant, nurtured him. 
Infant being fed by sweet nectar of the Maguey cactus. Nearby is the anthill.
Legend also has it that an elderly couple discovered the abandoned baby and adopted him. The baby was Tepoztécatl, son of Ejécatl, god of the wind. Later Tepoztécatl was chief of Tepoztlán.
Elderly Couple Find and Adopt the Infant Boy, Tepoztécatl
Very near the home of Tepoztécatl lived Mazacúatl, a feared snake of Xochicalco, whom the people fed by sacrificing the elderly. One day, the people's leaders announced to Tepoztécatl's adoptive father that he had to be sacrificed to this snake. Tepoztécatl offered to go to be sacrificed in his father's place.
Feared Serpent Mazacúatl at Xochicalco Demanding Sacrifice
Tepoztécatl left for Xochicalco. On the way he collected aiztli, small sharp pieces of obsidian, which he stored in his bag. When he arrived at Xochicalco, he was presented to Mazacúatl, the enormous serpent that immediately devoured him.
Devouring Serpent
Inside the belly of Mazacuatl, Tepoztécatl used the aiztli to tear apart the bowels of the dreaded serpent and thus escape.
On his return trip, he passed by a celebration in which the teponaxtli, kind of drum, and the chirimía (flute) were being played. Tepoztécatl wanted to play these instruments. When his desire was frustrated, he sent a storm that threw sand in the eyes of all. When the people recovered, the boy child had disappeared with the instruments. Far away in the distance, the sound of both could be heard. The people chased him, but when they reached him, it is said that Tepoztécatl urinated, thus forming the pass that crosses Cuernavaca. 
Tepoztécatl arrived in Tepoztlán and took possession of the highest hills. He settled on the hill Ehecatépetl. Since the people couldn't get to him, they wanted to bring him down by cutting away the base of the hill; in this way, the "air corridors" were formed. 
Tepoztécatl enjoyed the highest regard in his birth village. He was appointed Lord of Tepoztlán and priest of the idol Ometochtli (Two-Rabbit). But years later he disappeared. It isn't known whether he died or went elsewhere, but some say he went to live with the pyramid ... forever.
Depiction of Ometochtli, Two-Rabbit
But the muralist makes one more reference:

Los chinelos
Let me tell you: tracking down this reference took a bit of doing. Ultimately, it was accomplished only with the assistance of a friend who lives in Tepoztlán, who kindly sent an article describing them.

A street vendor set up near the mural kindly corrected me when I asked if the figures are Spanish Moors: "No, they are chinelos." I have to thank Reed for discovering that the word "chinelos" comes from the Nahuatl word “zineloquie” meaning “disguised.”

Here's an excerpt from the article sent by our friend:
Cortés defeated the Aztecs in 1521. By 1870, the Spanish colonists in Nueva España were organizing elegant dances of Carnaval (Mardi Gras) preceding Lent, but only peninsulares, those born on the Iberian Peninsula, Spain, could attend. Tired of being excluded from Carnaval, a group of native-born young men organized a cuadrilla, disguised themselves in old clothes, covered their faces with pieces of manta, Mexican muslin, and began to shout, whistle and skip through the streets of town, mocking the Spanish, calling them huehuenchis, "old uglies" or "people who dress in old clothes." 
This local celebration was so successful that the following year the young people organized another cuadrilla. To represent the Spanish, they added beards to the masks. In 1872 the young people again took to the streets, this time accompanied by a wind band whose members were disguised in masks that not only had exaggerated beards and mustaches but blue eyes, in order to further ridicule the Spanish in revenge for the humiliations they had inflicted. 
As the party became more popular, its character gradually evolved and became ritualized as a subtle and fun way to protest. Then people decided to hold their own celebration. 
The corno, horn, was a constant in a mix that blended ancient rituals with those of the new, imported Spanish culture. The end result was pagan-religious or religious-pagan events, depending on those in charge. 
The dance—fun, festive, cheerful—keeps rhythm with the humorous notes of village bands. The colorful dances hustle and rumble like the cohetes, rockets, launched incessantly. All this energy culminates in the famous "leap of the chinelo," which is the typical dance of Carnaval. Performed on several occasions throughout the year, the dance called "leap of the chinelo" has remained little changed for more than a century. 
The dancers' garments are richly decorated with multi-colored sequins and beads. The cone-shaped hats are fully embroidered and decorated with faux pearls in an apparent nod to Arab-Moorish-Spanish ancestry. Spanish original: Los Chinelos
Mask and sombrero of El chinelo
The Spanish, who fought for 800 years before they succeeded in driving the North African Moors off the Iberian Peninsula, used their hard-won victory as an object lesson for Mexico's indigenous people: submit or die.

The Tezpoteco Is Challenged

Lest there be any doubt about the ambivalence of Tepoztlán's current inhabitants toward the Spanish invasion, during the pueblo's traditional fall festival, the people of Tepoztlán commemorate the ceremony of the baptism and marriage of the Tepozteco in order to remember the reason for converting from the polytheistic religion to the Catholic rite.

The re-enactment is performed in Náhuatl, the language of the Aztecs, which is also translated into Spanish, the language of the invasores (invaders), whose soldiers brandished the Sword and whose priests carried the Cross. In this way, the moment in Tepoztlán when allies of Lord Cuauhnáhuac of nearby Cuernavaca challenged the Tepozteco is kept alive.

Dating to about 1850 CE, the tradition is maintained with dances representing the lords of Yautepec, Oaxtepec, Tlayacapan and Tepoztlán. After the dances, the people then set off for the central plaza.

Stay Tuned

The next morning we headed for the former Dominican Convent, which turned out to have an unexpected pleasure. Stay tuned for Tepoztlán, Part II.

Still Curious?

Related Jenny's posts:
Videos Available Via UTube:
  • UTube (3:09 min): Great walk up El Tepozteco path, which winds through massive cracks in the rock;
  • UTube (11:24 min): Baile de los Chinelos (Dance of the Chinelos) features 'leaping Chinelos', the dance step that is more of a hop.